Elliptical, self-effacing, and subdued, Fabrizio Terranova’s Donna Haraway: Story Telling for Earthly Survival (2016) is no ordinary talking-head documentary about the influential philosopher, thinker, and scholar. Set in and around her forestial California home, which Terranova conceives as an assembled space with filmic techniques, the documentary (screening this week at Anthology Film Archives) is at once a glimpse into Haraway’s life and a casual credo exuding her way of thinking.
Although it’s a daunting task to summarize the depth and breadth of Haraway’s complex and abstract thoughts, to put it generally and briefly, she is a feminist whose beliefs are not rooted in out-and-out environmentalism, … Read the rest
This year’s Academy Award nominees in the Animated Short Film category are kind of downer for a medium that’s often associated with uplifting children’s fare. In “Dear Basketball,” director Glen Keane partners with basketball legend Kobe Bryant to tell the story of the star’s retirement from the sport. The French “Garden Party” follows a cadre of amphibians as they pick over the detritus of a luxurious party at an opulent estate mysteriously devoid of residents. Pixar’s “Lou” begins with a playground bully robbing children of their cherished toys, and “Negative” Space features a character mourning his absentee father. Finally, the framing device of “Revolting Rhymes” — the … Read the rest
TIRADENTES, Brazil — A foreigner arriving here — a pristine baroque town in Minas Gerais, the site of Portugal’s colonial-era gold mines — may not know that it’s a place where cultural and social tensions are at a boiling point. Tiradentes is a major tourist destination, but much more importantly, it’s also where, for 21 years, Brazil’s pioneering indie film festival, Mostra de Cinema de Tiradentes, has brazenly set the course for the country’s cinema. Now the festival increasingly channels anger about the status quo.
At the tail end of last year, Blue Planet hit the UK’s screens for its second season. The groundbreaking, lavishly-shot documentary series swiftly became the country’s most-watched TV show in 2017 – serving up gripping wildlife sequences and unseen footage from our ocean’s darkest corners.
Much of this was thanks to Mateo Willis, who worked on the show as a director and cinematographer. Having previously shot the equally trailblazing Planet Earth II and Frozen Planet, Willis has become known as one of the most esteemed cameramen in the industry; securing Emmy and BAFTA awards for his work behind the lens.
“I became a cinematographer in my early 30s,” he tells Huck. “I’ve always enjoyed creating things; taking photographs as a child, later working as a … Read the rest