I was born in Honduras, Tegucigalpa in the aftermath of Hurricane Mitch in 1999. A year later, my family moved to Brighton in the UK, where I have since spent most of my life.
From a young age, I’d heard a lot about the problems in Central America – especially in Honduras, which is often called the “most violent country in the world.” Growing up, I couldn’t understand what was driving people to behave this way or where this violence was coming from.
This year, after turning 18, I returned to Honduras for two weeks to find out more about my country of birth. Even though my Spanish is a bit broken and I wear very British clothes, it was only my shock that … Read the rest
In 2011, a box of old photographs changed my life. I spend every summer in South Africa but this particular one was difficult because I experienced a lot of violence, including a carjacking which caused damage to one eye.
People in New York wanted me to come home but I knew from experience that something good usually happens in the last week of every visit. I had bought a stack of photographs in Cape Town and my friend’s daughter said,“You know what? I have this collection of negatives I should give you.”
They’d been sitting in a garage for 15, 20 years. I pulled out a few, held them up to the light and started freaking out. They were so strong, even in that form.… Read the rest
As the daughter of a pot farmer, Kristen Angelo practically grew up in a grow room. The Seattle-based photographer was exposed to cannabis culture at a young age as her family resided on Vashon Island, an enclave of bohemian-living that’s long been associated with guerilla farming. But in the 90s, the Island became swept up in a drug war that ended with Angelo’s father incarcerated in Federal Prison, for what the lead detective considered “the most sophisticated growing operation” he had seen in nearly a decade.
Today, as legislation surrounding cannabis is in a state of flux, Angelo has embraced photography as a way to challenge stigma around the plant. By cutting through the trippy visuals and over-sexed boob/bud shots and instead profiling growers and their … Read the rest
It was the run-down, beat-up back streets that first caught Alina Fedorenko’s attention. Hidden behind Beijing’s impressive high rises and new builds, they were leagues away from the tourist traps typically associated with the city. These streets – which were cramped, claustrophobic, stuck in another time – gave the Ukrainian photographer a rarely seen glimpse into the everyday lives of many Chinese citizens.
“In Beijing’s old quarter, named the Hutong area, people still live life like many years ago,” Alina explains. “Surviving and living here is not easy as many people have relocated to high buildings to have proper sanitation systems, which most of the houses in the Hutong area don’t have. Those who are left have created a beautiful symbiosis of working and living in … Read the rest
“I’m a workaholic… but I work by my own rules,” says Lola Paprocka, sipping a cup of tea in Huck’s 71a Gallery. “It’s really hard for me to obey.”
DIY has become second nature for Lola since moving to London from Poland at the age of 18, when she could barely speak English. “I never really felt like I belonged anywhere,” she says. “I always felt like a bit of a weirdo who didn’t fit in.”
Within a few years, Lola was managing tattoo shops and meeting like-minded creatives, figuring out her own path. In 2010, she inherited her first camera – an old Zenit belonging to her mum – before a trip to Australia.
Tentatively, Lola began to shoot drunk friends here and there
Martin Parr, Henri Cartier Bresson, David Alan Harvey, Susan Meiselas, Alec Soth, Jim Goldberg, Bruce Davidson.
When it comes to photography it’s hard to draw up a more impressive shopping list of names.
USA. New York City. 1951. A new face for the new world. Photo by Dennis Stock.
USA. New York City. 1956. Wall Street. Photo by Leonard Freed.
But they are just some of the legends past and present to join the ranks of Magnum Photos, and now in their 70th year the collective is celebrating its history and just how far it has come. In an exhibition – Early Magnum: On & In New York – Magnum looks back at the city that shaped it, a chance to take stock and reflect on … Read the rest
Not much remains of Guayaqui Cuá in southeastern Paraguay. As fires continue to smoulder, wisps of smoke float over the charred slats of a wooden bed, burnt personal possessions and a few sombre peasants living under makeshift plastic tents, which are all that’s left of this small rural community.
Two days ago, security men from the nearby cattle ranch and local police officers, under orders of a large estate owner, moved in without notice to evict the community and raze their properties to the ground, explains a tearful María Lina Estorales. Sitting despondently on the dirt floor and wiping rivers of tears from her face, she’s trying to work out what to do next – surrounded by members of the other 21 families who lost their … Read the rest
It’s all kicking off in Lagos right now. From fashion to food, film and hip hop, Africa’s creative renaissance is well and truly alive in the Nigerian capital.
Yet when it comes to skateboarding, there’s an palpable void. Home to a staggering 21 million people, and holding the title of Africa’s most populous city, Lagos – or Las Gidi, to locals in the know – might just be the biggest city in the world without a skate park.
But local crew Wafflesncream are in the process of changing that – and fighting to help Lagos punch its weight on the global skate scene. After dropping Jide, the very first homegrown Nigerian skate edit last year, the Wafflesncream family took things to new heights when they … Read the rest
When photographer Julian Mährlein thinks about youth, his mind doesn’t instantly turn to the boring, tired stereotypes we’ve seen time and time again. Not the endless images commenting on social media obsessed teens, not the detached portraits of subcultures and expensive street fashion. Instead, when Julian thinks about youth, he’s all about neutrality and earnestness – a genuine wish to portray and understand, rather than judge or imply.
That perspective was particularly scarce when he started his London Youth series, right after the riots hit the capital back in the summer of 2011. While major media outlets focused on depicting young, tracksuit clad British people as savage beings getting off on mindless vandalism, ‘the most unpleasant and violent in the world’, Julian set out to … Read the rest
If I narrated a scene of a group of women heading into the outdoors at night, carrying strange objects and performing odd rituals, you’d justifiably anticipate the unfurling of a classic witch’s tale. Perhaps it’s fitting, then, that the results of Klea McKenna’s nocturnal communion with nature—a series of photograms titled Automatic Earth—are downright magical. Rather than trying to conjure supernatural forces, however, McKenna captures the transcendent beauty of what’s plainly within reach, and reminds us that the mysteries of the natural world are already boundless. Her “photographic rubbings” of soil, concrete, and trees yield textured images that hint at the story of their making, but leave plenty unsaid.
She (1), 2016, Photographic rubbings of a redwood tree. Collage of 2 unique
Bricks are usually molded from clay, but in Karaba, a small African village in southwestern Burkina Faso, bricks are quarried out of the hillside. This hill is made of laterite, a reddish-colored rock rich in iron and aluminum.
Historically, laterite was cut into brick-shaped blocks and used in building. In Angkor Wat in Cambodia, and other southeast Asian sites, you can find many construction made of laterite. In more recent times, laterite instead of stone has been used in road laying because of the former’s porous nature.
Growing up in Rolling Fork, a small town in Mississippi, all photographer Ellen Rodgers wanted was to leave. The Mississippi Delta region is extremely rural, flat, and poverty-stricken, and Rodgers—the daughter of a farmer—had dreams of living and working in a big city. Rolling Fork doesn’t even have a stoplight, and Rodgers graduated high school with the same 15 people she had been in class with since kindergarten.
“I always heard about people visiting the Delta because they wanted to see where the blues was born. I could not for the life of me figure out what in the world they were talking about,” Rodgers tells Creators. “I affectionately called [the Mississippi Delta] ‘the butt crack of America.’ I’m not sure at … Read the rest